暂无剧情简介

In the late 50`s, a famous actress, Helen Page, mysteriously disappears.

Uncompromising and shocking portrayal of the life of a French pimp and his wife exploited by him as a prostitute, who stay together in an almost post-apocalyptic post-industrial landscape. Shot on grungy Super-8. The first hour focuses on the everyday activities of the man and woman. They consume cheap food, watch TV and nasty porno, they receive customers and combat each other with psychological power games. Despite emotional numbness, the woman tries to escape. She makes friends with another woman, but then decides that returning to the man is the easiest option. The return of the other woman heralds the very shocking finale. Not for the squeamish.

暂无剧情简介

Ivan Mosjoukine plays a heroic soldier to the despotic Caliph who becomes disillusioned with his treatment of the slaves in his kingdom and fights to free them. Similar to plot lines in previous Wolkof-Mosjoukine collaborations the difference with this film is that it was produced in 1932 and therefore has synchronised dialogue, something of a challenge to the film-makers since Mosjoukine, one of the biggest silent stars, spoke very little French and even when learning lines phonetically had a marked Russian accent. In Sergent X this issue was elided by casting him as an immigrant, learning the language as the picture progressed. However, whilst this worked well as a one off, it couldn't be done on every film. So in his second talkie Mosjoukine's character appears as a somewhat exotic outsider, a man of action and few words. During his initial escape from the Caliph, he dives off a cliff into the sea and is rescued by a young fisherman, who becomes his compatriot – and gets to do some of Mosjoukine's talking for him. The court of the Caliph also gets a great deal of the dialogue and there's a surprising musical number midway through the action. Interestingly Mosjoukine's real life wife Nathalie Lissenko appears as his love interest in this, and like her husband speaks relatively little. The film plays like an old fashioned English pantomime, with exaggerated villains and fawning underlings very much in the Chu Chin Chow mould. It's pleasant, expensive, occasionally exciting, with dazzling bejewelled costumes by Boris Blintsky and must've seemed completely irrelevant in a period when Renoir, Clare, and Pagnol were rapidly approaching their best work. Mosjoukine, is still very effective in his scenes, and particularly so in a climactic duel to the death with the Caliph. When he does speak, his voice is resonant and authoritative. However since there's so much for the film to show – with a musical number, scenes of slave auctions and villainous plotting from the Caliph, Mosjoukine is quite often off screen. This film was released in an original French version and also a dubbed and slightly re-shot English version... (from thomas-hamilton65@imdb)

暂无剧情简介

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无剧情简介

《红与黑》延续了吕·穆莱（Lue Moullet）未完成的关于盗窃“珀涅罗珀”（la pénélope）相机的剧本。这台相机由阿通（Aaton）公司制造，能够同时出色地进行35毫米胶片和数字拍摄。影片采用了万花筒式的形式。此外，影片还刻画了阿通公司创始人让 - 皮埃尔·博维亚拉（Jean - Pierre Beauviala）的形象，他也是时码以及新浪潮时期所使用的轻便相机（尤其是……）的发明者。

Portrait of the singing duo Marianne Rosenberg and Marianne Enzensberger.